Pirate station electronic contemporary music. Pirate Station: A Guide to Underground Radio Culture Listen to Radio Electronic Contemporary Music

Pirate Station Is a popular Russian station broadcasting on the territory of St. Petersburg. Since recently, you can listen to Pirate Station online, as the wave has moved to Internet broadcasting.

Pirate radio station

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The basis of the musical broadcast of the radio Pirate station make up tracks of popular directions of electronic music, here you can hear the best compositions: drum and bass, hard dance, hard core and other similar styles. Only the best of the best compositions sound here, the authors of which are both Russian DJs and sound producers from all over the world, whose fame has spread around the world several times and even managed to get tired of such flights on dance floors.

Quality music sounds both day and night. In the evening, whole sets of celebrities are broadcast on the air, which make even the most apathetic listener dance. Also, drive stations add a lot of copyright musical programs, in which you can get to know more deeply a certain musical direction or its representatives.

Pirate Station radio

It cannot but please regular listeners, and in the future also you, just a huge local music broadcast. Throughout the day, the tracks are practically not repeated on the air, which says only one thing - you will not get tired of listening to Pirate Station radio, if at all possible.

Listen to Pirate Station online at any time of the day electronic music sounds on our portal site. Especially for you, we have collected thousands of the world's best radio stations and offer you them for absolutely free listening, and we do not even ask for registration. Enjoy electronic music for free, all the broadcasts of your favorite FM stations on one site, always be on a positive wave!

Selected music of drum and bass, hard dance, hard core sounds on the wave of the Pirate Station! Updated date: 06.09.2018 Radio Pirate Station - SPB RU

Listen to radio Electronic contemporary music



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The sixties were a time of protest. Against cruelty, politicization, against wars and authorities. And also against the prim British radio players, who completely refused to broadcast what the young people liked - pop, rock and jazz. FURFUR delves into the history of radio pirates - those who decided to challenge all of BBC Radio at once.

Evolution

Pirate Radio was born in the 1960s, when radio stations like Radio Caroline and Radio London began broadcasting in the UK. The growing popularity of pop and rock music was completely ignored by BBCRadio, the state monopoly of radio broadcasting, and pirates took matters into their own hands, starting to broadcast music from ships or abandoned sea forts. However, these stations were not considered pirate and illegal at that time, since they broadcast from international waters.

The first such station in Britain was Radio Caroline, which began broadcasting from a ship docked off the coast of Essex in 1964. By 1967 there were about ten such stations, and their audience reached 15 million people. Most pirates were inspired by the iconic Radio Luxembourg and American radio stations. Many adopted the "Top 40" format, with chatty and fun DJs, which made them kind of antipodes to the prim and conservative BBCRadio. The most daring ones even set up transmitters on land and went on the air on weekends, such as Telstar 1 and RFL, launched in the mid-60s.

The reaction was expected. The governments of Belgium, France, Greece, Sweden, Luxembourg, Denmark and Britain rallied and launched a massive campaign against radio pirates. They were outlawed and, perhaps more importantly, they could no longer sell equipment to them. The BBC reacted, too, whose monopoly was shaken by the pirates - in 1967 radio stations with the simple names BBCRadio 1, Radio 2, Radio 3 and Radio 4 were born and began to lure away "pirate" DJs.

But it was not that simple. The pirates were still afloat, with an audience of twenty million behind them. The officials needed a precedent, and he introduced himself to them. In July 1966, the owner of one of the stations, trying to sort things out with another radio operator, shot him with a pistol. This allowed the government media to brand all pirates as filthy criminals and to hunt them down. They resisted for a year, bombarded officials with letters and asked to legalize their radio stations. The answer was always a refusal.

As a result, the pirates surrendered on August 14, 1967. All stations went on air for the last time and said goodbye to the listeners. Radio Caroline, with some interruptions, continued broadcasting until 1990, but that was already a completely different story.

Offshore radio stations were outlawed, but the history of pirate radio did not end there. In the late sixties, the rebels moved from ships and offshore platforms to land, to cities where their activities were a priori illegal, because they contradicted the Wireless Communications Act of 1949. They started small: usually their medium-wave AM transmitters, and sometimes their shortwave ones, were housed in cookie boxes.

The radio pirates of the sixties and seventies did this: they took a stationary cassette player (usually a car battery), connected it to a wire antenna stretched between two trees, and thus broadcast their music to several houses around. The more desperate assembled handicraft VHF / FM transmitters. Their activity was rather sluggish, however, when portable transmitters became available to ordinary people, a turning point came. By the mid-eighties, a 50-watt transmitter could be bought for two hundred pounds, and it was even cheaper to assemble from spare parts.

In general, creating a pirate radio station required the following: a good cassette player, transmitter and a high roof. That is, sleeping areas, where there were plenty of high-rise buildings, became an ideal place. A 40-watt transmitter broadcasting from the rooftop of a fifteen-story building covered an area of ​​forty miles. The programs themselves were usually recorded in advance, since the transmitters were placed on roofs only for a certain period of time.

Also at this time, land-based pirate radio stations began to appear, usually in large cities. These were, for example, Sunshine Radio in Shropshire and Radio Jackie in southeast London. It was London radio pirates who first began broadcasting music of only one genre. For example, Radio Invicta, which appeared in 1970, became the first European radio station on which only soul was played, on Kiss FM they played exclusively dance music. Which genre was preferred by Alice's Restaurant Rock Radio, Rock FM, Raiders FM, London Rock and Radio Floss is clear.

Of course, the pirates had opponents in the form of the Ministry of Post, Telecommunications and the Department of Radio Management, which, back in the sixties, claimed that pirates were interfering with licensed broadcasting and could intrude on frequencies used by emergency services. And nevertheless, more and more pirate radio stations appeared - in the 1980s there were more of them than legal ones. Radio Invicta, JFM and London Weekend Radio gained popularity especially quickly, and gradually began to operate more and more openly. As a rule, they focused on an audience whose musical tastes like reggae, hip-hop, jazz and R'n'B were ignored by mainstream radio stations. Or how London Greek Radio was targeting an ethnic minority.

To create a pirate radio station, the following was required: a good cassette player, a transmitter and a high roof.

Pirate radio
in USSR

In our country, it was also, however, originated a little later, during the "thaw". There were two main reasons for its appearance: firstly, the Soviet youth had the necessary technical knowledge and an eternal desire to protest and go against the system, and secondly, the public was hungry for foreign music.

For obvious reasons, radio piracy in the USSR was "land", not "sea". Amateur radio and radio engineering in the USSR were considered a very important area of ​​the patriotic education of young people. This activity was carried out through the DOSAAF network - in fact, it is still being carried out. However, in rural areas, no one really taught anyone, and the path of a "legitimate" radio amateur was thorny and boring: you had to go through the observation experience, master the Morse code, pass an exam for the right to own a transmitter, observe fairly strict rules of radio traffic on the air, and so on. On the other hand, it was possible to assemble a simple radio transmitter and turn it around Vysotsky and Creedence.

The main attribute of the Soviet radio pirate was the "hurdy-gurdy" (or prefix, sharmatura, typewriter, marahaika, charmalet) - a handicraft medium-wave radio transmitter with amplitude modulation. The power source for him usually served as a radio or tape recorder. Of course, the broadcasting quality was not very good, but young people from the surrounding villages had something to do in the evening. Also, these amateur receivers interfered with radio broadcasting and service communications, so that the owners of the barrel organs automatically became criminals. For such "radio hooliganism", at first, an administrative fine was issued with the seizure of equipment, and in the event of a relapse, a criminal case was opened against the owner.

Legendary stations

The first and canon pirate radio, founded in 1964 by Irish music producer Ronan O'Rahilly, and named after President Kennedy's daughter. The story is quite typical - once Radio Luxembourg refused to put on a disc by Georgie Feim, Ronan's ward, he did not like it and, inspired by the experience of the Dutch and Danes, he decided to create his own radio, which became the prototype of RadioRock from the movie "Rock Wave". In February 1964, he purchased the old Danish ferry Fredericia, which he then turned into a mobile radio transmitter by the Irish port workers. Interestingly, the ship MiAmigo was in the same port, which Alan Crawford turned into Radio Atlanta. They competed for the championship from the stocks.

Many famous DJs have gone through Radio Caroline. Among them was, for example, Tom Lodge, the legend of music journalism, who, according to the notorious Paul McCartney, should have been given a knighthood for his contribution to the British invasion.

The brainchild of Texas entrepreneur Don Pearson. In an interview, he said that when he learned that the first two radio stations (RadioCaroline and RadioAtlanta) appeared in Britain, he immediately went to the airport, boarded a charter plane and flew to take their photographs. He had one goal - to create the same one, but in quality it surpassed the competition by a head.

After that, he bought an old mine-laying ship from the Second World War, named it Galaxy and sent it across the Atlantic to the British shores.

Despite the fact that the ship was not particularly adapted for this kind of activity (due to the design features of the studio, the soundproofing of the studio consisted of mattresses and sheets, which means that no one could sleep during the daytime programs), the radio station's affairs quickly went uphill and in 1966 year they already had enough money to completely re-equip the ship.

This radio station is in some amazing way connected with The Beatles. One case is particularly noteworthy:

After John Lennon announced that he was "more popular than Jesus" during the last American tour and a real storm broke out in the media, British journalists were asked to accompany the group. There were three of them: Jerry Leighton with Radio Caroline, Ron O'Queen with Swinging Radio England and Kenny Everett with Radio London.

With the UK Post Office shutting down direct dial telephones for pirate radio stations, Everett had to call someone on the mainland. His partner descended from the ship to land, picked up the phone at Harwich and recorded the entire conversation on a cassette, after which the recording was edited on the ship and the result was a thirty-minute program. And so forty days in a row. But in 1967, Radio London received a downright golden exclusive: they, eight days earlier than everyone else, got their hands on Sgt. Pepper'sLonelyHeartsClubBand.

The history of this cult radio began in 1985, somewhere in south London. Three people stood at its origins: Gordon "Mac" McNamey and his friends Tosca and George Powell. It was, in many ways, a groundbreaking station: for example, they held one of the first acid parties. KissFM has been a success in everything - especially due to the personality of Guy Wingate, a professional promoter who famously promoted the radio station. The Evening Standard once estimated that at the time of the station's piracy, its audience numbered 500,000.

Then came Hour X. The Department of Trade and Industry announced the distribution of licenses. Kiss FM began to vigorously pursue it, as this document opened up the broadest prospects. However, in 1988 Jazz FM was licensed. KissFM organized a collection of signatures and by the evening a petition, signed by an incredible number of people, lay on the table of Interior Minister Douglas Heard. The next time it was KissFM was licensed.

In the future, the radio went through several rebranding and complete relaunches, different owners and a crisis. At the moment, radio Kiss is a whole brand, under which there are many radio stations throughout Britain.

Air on boarding

The term "pirate radio station" is understandable even to a layman: it is illegal broadcasting on a captured frequency. A year ago, pirate stations celebrated 50 years of active activity - on August 2, 1958, the first of them, Danish Radio Merkur, went on the air. Although we can say that radio piracy appeared much earlier, soon after the emergence of radio communications itself: back in 1907, the US Navy complained about radio amateurs who got into the naval air with their civilian negotiations. True, then it was not called radio piracy. The term appeared after the Second World War with the light hand of journalists, who thus wanted to emphasize that radio illegals, like pirates, operate at sea - they broadcast from a ship in neutral waters.

Pirate radio stations immediately opposed wire broadcasting, which existed in almost every home, but did not respond to the trends of the times: while official news and home cooking recipes were broadcast by wire, radio pirates attracted the audience with popular music. In this sense, the history of Radio Luxembourg from the duchy of the same name is indicative: in the early 60s, this shortwave station, broadcast in English, became extremely popular in Great Britain, and although its activities contradicted the regulatory documents adopted domestically, this did not interfere with the British newspapers to publish her program schedule, and British teenagers to listen to the contemporary music that was played on her waves. The last circumstance was used by the manager of The Beatles Brian Epstein: he organized a lot of letters to the station, allegedly from teenagers with a request to put on the first single of his wards "Love Me Do", thanks to which he brought the song to an unknown group at that time to the 17th place of the national hit -parade.

In the 1970s, some countries, notably the United States, passed laws providing for stricter penalties for illegal broadcasting. Therefore, the activities of many American radio pirates began to resemble a thriller: they had to make disposable transmitters, combined with tape recorders, on which recorded programs were played at a certain time, and left them in secluded places; sooner or later the transmitters were tracked and destroyed, but the pirates continued their fascinating, albeit dangerous, occupation. In the late 70s, radio technology for broadcasting medium and ultrashort waves became widely available, with the result that in the northern United States, pirate stations existed in almost every city. They were aired on weekends and evenings and on holidays; on another weekend, more than a dozen stations could be on the air, while the pirates were most active on New Years and Halloween.

In the 80s and 90s, radio piracy in the United States began to take on an increasingly localized character. Government agencies overseeing the purity of the air have learned how to quickly find and close stations; pirates began to coordinate their actions, occupied a certain set of frequencies, which their listeners were aware of, and adapted to create one-day stations, even in megacities, where it is much more difficult to establish illegal broadcasting than in the provinces. For example, the Voice of the Smooth station, which operated on March 14, 1993, was heard over the entire San Francisco Bay. In the island of Great Britain, similar processes were going on, except that the main sea-based pirate stations continued to work and, to a certain extent, retained their influence. Dance music penetrated ubiquitous pirate stations, and quite often the next illegal broadcasters focused exclusively on broadcasting many hours of DJ sets, like the Dutch stations Radio Veronika and Radio Stad Den Haag.

Your signals

In Russia, radio piracy began in 1992 and by the mid-1990s was quite widespread, especially in provincial cities - in Moscow, the phenomenon, without having time to really turn around, was successfully strangled by commercial stations that began to densely saturate the VHF band. The main pirate base was St. Petersburg and its environs: Kupchino, Grazhdanka, Pushkin. One of the founders of the once famous station "Voice of Kupchino", known to his listeners under the pseudonym Alphonse, says that, like most Russian radio pirates, he and his friends, organizing the station in 1988, did not set themselves the goal of making money, rather, they wanted satisfy information hunger and express yourself. They managed to get good technology from the hands of people interested in their work, the same radio amateurs. "Voice of Kupchino" existed for 10 years and died, as its creator believes, "from natural causes." During this time, the station was repeatedly visited by representatives of the relevant regulatory body, imposed a fine for illegal broadcasting (for quite a long time it was a meager amount of 30 rubles), but the matter never came to confiscation of the equipment, since a big fan of the Voice of Kupchino worked at the local branch of the State Television and Radio Broadcasting. "who helped radio pirates in difficult situations. He had to shut down the station only once - in 1994, and even then for a short time: the Goodwill Games were being held in St. Petersburg and Moscow officials demanded to "shut up" all radio pirates for this time.

After 1998, the number of pirate stations in major cities of Russia has declined markedly; some of the well-known St. Petersburg stations lasted until the mid-2000s, but they had to close too. Of course, there was no empty niche, new stations appeared periodically, but more and more often on the scale of the microdistrict - no one thinks about the previous scale, when the illegal radio "Kometa" broadcast for half the city. It's not just the efforts of Roskomnadzor and the owners of radio frequencies: radio pirates are now more willing to go online, since megalopolises do not know interruptions in broadband access to the network, and a set of equipment for online broadcasting (3-4 thousand rubles) costs almost ten times less than in the case of VHF (about € 1000). But the provincial cities, where there are still great difficulties with fast Internet, continue to practice radio piracy: for example, when you search for "pirate radio" in a search engine, you can quickly find the personal page of a young man from the city of Bogdanovich, Sverdlovsk region, on which he gives comprehensive instructions for assembling VHF - radio stations based on Soviet tube receivers. Another area of ​​the spread of radio piracy has become the countryside, especially those located on higher elevations: for example, many general store in the Belgorod region have their own stations that play popular music and inform listeners about the import of products.